Glasshouse is set after an airborne dementia known as The Shred has left humanity roaming like lost and dangerous animals, unable to remember who they are. Confined to their airtight glasshouse, a family does what they must to survive – until the sisters are seduced by a stranger who upsets the family’s rituals, unearthing a past they have tried to bury.

Sensual and savage, this post-pandemic love triangle is the feature film directorial debut of Kelsey Egan, who co-wrote the script with associate producer Emma Lungiswa de Wet. Glasshouse is frequently billed as “The Beguiled for the pandemic era”, but this can be misleading. “By openly courting comparisons to The Beguiled, Glasshouse distracts viewers from realising just how messed up things will get,” warns Comicon.com, calling the film “a folk horror movie that could become a modern classic.” 

Glasshouse had its world premiere at North America’s top genre film festival, Fantasia, in Montreal, Canada in August 2021 – and also screened at Fantastic Fest, the largest genre film festival in the USA, earning multiple five-star reviews and a 90% critics’ rating on Rotten Tomatoes. 
Film Threat’s Lorry Kitka singled out Glasshouse as her “favourite film of the year so far”; Exclaim proclaimed, “Kelsey Egan is a filmmaker to keep an eye on”; and Pop Culture Planet included British actress Jessica Alexander (the upcoming live action remake of The Little Mermaid) in their list of the Best Performances of 2021, in good company alongside the likes of Jennifer Coolidge in The White Lotus.

A pandemic story filmed during Year One of the Covid-19 pandemic, Glasshouse is the first film in a three-picture dystopian slate Showmax has developed with Local Motion Pictures, in association with Crave Pictures, with Egan directing and Greig Buckle producing. Buckle was co-producer of the Oscar-shortlisted Life, Above All and line produced the #1 US box office hit Chronicle, among other high-profile service jobs in South Africa. You can watch it now here.